Vanilla and oak on the nose. Juicy black fruit with notes of vanilla and oak. Fantastic with pan-seared ribeye . — 5 years ago
It is really not fair to have their 06 after their 09. It’s good but, all you can think about is the 09.
The nose reveals, slightly stewed to cooked fruits of; blackberries, dark cherries, black raspberries, strawberries, rhubarb and bright cherries. Steeped tea, limestone, licorice, dry crushed rocks, cedar, dry tobacco, soft, used leather, dry crushed rocks, dry stones, underbrush, dry stems, dry top soil, understated baking spices, light graphite, dry herbs, light, dark spice and withering red & dark florals.
The body is lean, not quite full. The structure, tension, length and and balance are just ok to good and reveal the shortcomings of the 06 vintage. slightly stewed to cooked fruits of; blackberries, dark cherries, black raspberries, strawberries, rhubarb and bright cherries. Steeped tea, limestone, licorice, dry crushed rocks, cedar, dry tobacco, soft, used leather, dry crushed rocks, dry stones, underbrush, dry stems, dry top soil, understated baking spices, some v/a or bandaid, light graphite, dry herbs, light, dark spice with some heat across the palate and withering red & dark florals. The finish is nice and elegant but, lack the fullness and beauty of most really good vintage Palmer’s. It finishes with nice persistent dark spice on the long set. Just give me another taste of the 09. 😜
Photos of; Chateau Palmer, their barrel room, a photo of their vineyard soil structure-if you didn’t know where all that earthiness comes from, a picture is worth a thousand words and their tasting room. — 6 years ago
The nose reveals, ripe, brightly floral dark & red fruits. Blackberries, dark cherries, blue fruit heaven, black raspberries, baked strawberries & rhubarb, cherries, prune notes, and dry, slightly burnt cranberries. Mixed berry cola, steeped tea, vanilla, touch of clove, allspice, used leather, limestone minerals, dry stone, whiff of graphite, faint herbaceous notes, dry underbrush, old cedar, tobacco leaf, with withering red & dark withering flowers with violets.
The body is medium to full. The tannins round, nicely softened but still a little tarry. The structure, tension, length and balance are are harmonious and starting its climb to their peak. The mouthfeel is gorgeous and sexy. Brilliantly, bright, laced; blackberries, dark cherries, blue fruit heaven, black raspberries, raspberries, baked strawberries & rhubarb, cherries, and dry, slightly burnt cranberries. Mixed berry cola, steeped tea, vanilla, touch of clove, dark medium spice with heat, allspice, used leather, some sweet tarriness, limestone minerals, rich dark soil, dry stone, whiff of graphite, faint herbaceous notes, dry underbrush, old cedar, tobacco leaf, with withering red & dark withering flowers with violets. The acidity was very good and the finish showed it’s Saint Julien elegance. It’s a beautiful wine now and over the next 15-20 years.
Photos of, Chateau Leoville Barton, the “Gentleman of Medoc”, Anthony Barton, harvest work of their Merlot and their barrel cellar.
An hour and a half in decanter.
— 6 years ago
On the nose, ripe, ruby, fruits of; mulberry, blackberries, black raspberries, black plum, plum, black cherries, blueberries & creamy raspberries. Vanilla, hints of sweet tarriness, black licorice, whiff of spice, soft understated limestone minerals & crushed rock powder, fruity black tea, hint of fresh herbaceousness, rich, black turned earth, fresh dark floral bouquet and fields of lavender & violets.
The body is rich, ripe & full. The tannins are a little sticky but well softened, round and a touch chewy. The structure, tension, length, balance, tension and balance are very close to perfect and harmonious. Fruits are; mulberry, huckleberry, blackberries, black raspberries, black plum, plum, black cherries & creamy raspberries. Vanilla, hints of sweet tarriness, black licorice, whiff of spice, soft understated limestone minerals & crushed rock powder, fruity black tea, hint of fresh herbaceousness, rich, black turned earth, fresh dark floral bouquet and fields of lavender & violets. The acidity is round and rains like a waterfall perfectly over the palate. The very long, ruby, rich, well balance lasts minutes and is absolutely heavenly. Gorgeous, elegant, stunning wine.
Photos of; the vertical tasting we attended of all Hendricks Cabernets; 04, 05, 09 & 12 at the time w/ one of our favorite paintings in the background, Charles Hendricks working in the cellar, very old rootstock from the Stag’s Leap Vineyard where the fruit to make this wine normally comes from and a wide shot of the Stag’s Leap Vineyard.
Producer notes and history...Hendricks Cabernet Sauvignon is consistently sourced from a few of Napa Valley’s finest vineyards. In those near perfect vintages, Charles only makes a small production wine of around 250-300 cases. Charles only produces it when he has exception fruit. He’s made Hendricks Cabernet in; 2004, 2005, 2009, 2012 & 2014. Notice he didn’t make Hendricks Cabernet in a great vintage year like 2013. He wasn’t happy enough with his fruit in 2013 to put his name on it. That says a lot and maybe all you need to know about his standard for quality. I do know what wine his 13 fruit made as I’ve had and it’s an unbelievable wine for far less money.
Charles also makes a fantastic Pinot Noir from the Santa Lucia Highlands that is really quite amazing. Especially, if you give it 5 or 6 years in bottle. All his wines are sold exclusively through the Hope & Grace tasting room in Yountville as he is also the Hope & Grace Winemaker.
Charles graduated in 1982 from UC Davis in viticulture. He was also able to tailor his own curriculum and was one of the earliest to integrate winemaking and viticulture course work. Having knowledge of both viticulture and enology forms the basis for his well-rounded winemaking.
Over the years Charles has worked in both Napa and Sonoma Counties, gaining hands on experience in all aspects of winemaking. He has a strong reputation for excellence. In his career, he’s been a consulting winemaker for many wineries; Viader, Barnett Vineyards, Paoletti Vineyards, Regusci Winery, James Cole, T-Vine and Tamayo family Vineyard.
I asked Charles, “how does he make wines that are amazingly good in their youth but will age effortlessly for 15-20 years?” His answer was simply this, “its not that hard, you just have to know the perfect time to harvest fruit.” I would agree with that to a degree. But, you also have to know how to gently guide fruit onto it’s path into the barrel and not get in the wine’s way or overwork the process. — 7 years ago
The 2018 La Conseillante was given a two-hour decant and then monitored over the following 12 hours. What a stupendous Pomerol! It has a bravura nose that immediately seduces the olfactory senses, delivering a cornucopia of black cherries, cassis, crushed violets and iris. Such intensity here, and then it blossoms, accentuating its floral component while retaining the DNA of Pomerol. The palate is exquisitely balanced with fine tannins that frame the pure black cherry and strawberry fruit. But it is the texture and the harmony of this La Conseillante that knocks you sideways, that tertiary finish that I noticed out of barrel gone, replaced by satin-textured, almost citrus-fresh fruit. Marielle Cazaux and her team have overseen a brilliant La Conseillante. (Neal Martin, Vinous, March 2021)
— 4 years ago
Tried having this yesterday but, couldn’t bring it in to Nepenthe per usual due to their heavy Covid-19 business loses. Totally understandable. But, as Phil Collins sang, “Tonight’s The Night!”
The nose reveals dark, ruby, ripe & just a touch candied fruits of; blackberries, dark cherries, black raspberries, spiced plum, blue fruits, poached strawberries, cherries with raspberries hovering the edges of the glass. Dark spice, clove, nutmeg, cinnamon, vanilla, mixed dark(er) berry cola, limestone/sandstone, touch of savory meats, light tobacco notes, soft woodiness, shades of licorice, light, fresh Provenance herbs, sage, whiffs of black pepper, tree bark w/ some sap, touch of damp, dark earth, top soil with brilliant fresh, candied; dark, red, blue florals framed in soft violets in a field of lavender.
The palate is; ripe, ruby, round and lush. The mouthfeel is gorgeous & sexy. Still showing some tarry, teethed tannins. The length, structure, balance & length have just arrived with another 8-10 years of good life ahead. Dark, ruby, ripe & just a touch candied fruits of; blackberries, dark cherries, black raspberries, spiced plum, incredible blue fruits, poached strawberries, cherries with classically perfect Williams Selyem raspberries . Dark spice, clove, nutmeg, cinnamon, vanilla, mixed dark berry cola, steeped fruit tea, used coffee grounds, some dark chocolate, limestone/sandstone, touch of savory meats, light tobacco notes, wood shaving dust, shades of licorice, light, fresh Provenance herbs, sage, mint, whiffs of black pepper, tree bark w/ some sap, touch of damp, dark earth, top soil with brilliant fresh, candied; dark, red, blue florals framed in soft violets in a field of lavender. The acidity is round, voluptuous and perfect. The ripe, ruby, lush, well, knitted, balanced fruit & earth and polished long finish is glorious and persists endlessly into soft, dark spice with just the right amount of gentle heat.
Williams Selyem Pinots really start to be special at the 10 years plus.
This will continue to improve over the next 3-4 years and start a slow decline.
Also, appreciate they kept the ABV under 14%.
Photos of, Williams Selyem Winery & Tasting Room, designer barrel rack, tasting area where we tasted and one of their rolling hillside vineyards. — 5 years ago
I like the Patrina for its quality and QPR. Its quality is not all that far from the Reva but, about half price.
I also find the roasted or roasted chestnut quality I find in Rostaing wine out of Rhone. It is my belief, they have more or less styled their wines from Rostaing.
The nose reveals; dark, ruby & slightly candied, currants, purple fruit mix, blue fruits, blackberries, dark cherries, creamy black raspberries, baked, spiced plum, roasted chestnuts, smoke, grilled meats, touch of bacon fat, heavy expresso roast, dark, rich earth, dry crushed rocks, dry brush, pepper notes, some caramel, mid, nicely layered baking spices, dry herbaceousiness with bay leaf dominance, with fresh, blue, dark flowers with greens topped of with field of lavender.
The body is rich, lush and full. The tension, structure, length and balance are about five years from its peak. The tannins round yet, grainy and speak to another 10 years of excellent drinking ahead. Dark, ruby & slightly candied, currants, ripe; purple fruit mix, blue fruits, blackberries, dark cherries, creamy black raspberries & baked, spiced plum. Anise to black licorice, roasted chestnuts, smoke, grilled meats, touch of bacon fat, heavy expresso roast, dark, rich earth, dry crushed rocks, dry top soil with clay mixed in, dry brush, pepper notes, some caramel, mid, nicely layered baking spices, dry herbaceousiness with bay leaf dominance, with fresh, candied, purple, blue & dark florals with greens topped of with field of lavender. The acidity balances the alcohol like a waterfall over the palate. The long, ruby, ripe, slightly candied, well balanced finish slides into dry tannins & earth and persists several minutes.
Paired well with our slightly spicy Kentucky Bourbon Chicken Skews, Rosemary Roasted Fingerling Potatoes & Green Beans.
Photos of; the Patrina Vineyard, Owner/Winemaker-John Alban and imagery inside their barrel room. — 6 years ago
Barrel taste of the 2016 Insignia.
The nose shows bright red floral fruits. Ripe; dark cherries, blackberries, creamed black raspberries, strawberries, blueberries and a touch of pomegranate. Vanillin, light cinnamon, dark rich soils, dark chocolate bar, soft understated volcanic minerals, violets, red and dark florals.
The wine is still extremely fresh. The body medium full. Tannins are round & slight tarry. The fruits are very ripe and bright. Ripe; dark cherries, blackberries, creamed black raspberries, strawberries, blueberries and a touch of pomegranate. Vanillin, light cinnamon, dark rich soils, dark chocolate bar, soft understated volcanic minerals, limestone, violets, red and dark florals. The acidity is fresh and waterfallish. The fruit is beautiful. The wine has a long way to go in barrel but, it shows great promise. The finish is already well polished with great structure, length and balance.
Photos of; their Napa Estate vines, logo woven into the carpet, futures offering area and long shot of their visitor center building and terrace. — 7 years ago
I have a six-pack of this 05. I thought after 10 years in bottle, it would be interesting to check in on its evolution. While tasty, I’ll wait another 8-10 to open another. Even after 2-3 hours in the decanter, it’s still a very young adolescent. On the nose, slightly sour blackberries & dark cherries, dark currants, baked black plum, haunting blue fruits, anise, whiff of spice, steeped tea, dry stones, dry crushed rocks with dry top soil, caramel, vanilla with fresh & dry red florals. The body is thick & full. Tannins are starting to round out. It’s velvety on the palate. The fruits are; bright, fresh & ripe and really show the greatness of the 05 vintage. Dark currants, blackberries, dark cherries, baked black plum, haunting blue fruits, baked strawberries, cherries, raspberries on the long set, dark spice, clay & loamy dry top soil with crushed rocks, dry stones, cigar with ash, graphite, dry stems, slight herbaceous character, mint, used leather, clove, caramel, vanilla, fresh & dry red florals with violets. The round acidity is about perfect. The structure and length are still strong. The balance is in harmony. As for the long finish, it’s lush, ruby, rich and well polished. Photos of; Chateau Brane Cantenac, large wood vats, Henri Lurton and Estate vines. Producer notes and history...Chateau Brane Cantenac began in the early 17th century. At the time, the estate was known as Domaine Guilhem Hosten. Even that far back, wine was produced from the property. In fact, the wine was so highly regarded it was one of the more expensive wines in Bordeaux. It sold for almost as much money as Brane Mouton. This is interesting because of who went on to buy the vineyard in the 1800’s. The Baron of Brane, also known as “Napoleon of the Vineyards”, purchased the Chateau in 1833. At the time of the sale, the estate was called Chateau Gorce-Guy. To get the funds needed to purchase the Margaux vineyard, the Baron sold what is now called Mouton Rothschild, which was at the time of the sale, known as Chateau Brane-Mouton. Not such a good move with hundreds of years in hindsight! In 1838, the Baron renamed property taking his name and the name of the sector where the vineyards were located and called it Chateau Brane Cantenac. The Chateau later passed to the Roy family, who were well-known in the Margaux appellation in those days, as they owned Chateau d’issan. Moving ahead to 1920, the Societe des Grands Crus de France, a group of merchants and growers that owned several chateaux located in the Medoc including; Chateau Margaux, Chateau Giscours, and Chateau Lagrange in St. Julien, purchased Chateau Brane Cantenac. Five years later, M. Recapet and his son-in-law, François Lurton, took over Brane Cantenac along with Chateau Margaux. Lucien Lurton (the son of François Lurton) inherited Brane Cantenac in 1956. Today, the estate is still in the hands of the Lurton family. Brane Cantenac is owned and run by Henri Lurton. After being given the responsibility of managing Brane Cantenac, it was under the direction of Henri Lurton that large portions of the vineyard were replanted. Vine densities were increased, the drainage systems were improved and the plantings were also, slowly changed. The vineyard of Brane Cantenac is planted to 55% Cabernet Sauvignon, 40% Merlot, 4.5% Cabernet Franc and .5% Carmenere. Carmenere was used for the first time in the 2011 vintage. The only other Chateau I know that still uses Carmenere is Clerc Milon. The 75 hectare Left Bank vineyard of Brane Cantenac is essentially unchanged since it earned Second Growth status in the 1855 Classification. At least that is the case with the 45 hectares used to produce the Grand Vin of Brane Cantenac. Those 45 hectares are planted surrounding the Chateau. Those vines are located just in front of the Cantenac plateau and are the best terroir that Brane Cantenac owns. They have other parcels, which are further inland and much of those grapes are placed into their second wine, Le Baron de Brane. Those additional hectares can be divided into 3 main sections. Behind the Chateau, they have 15 hectares of vines on gravel and sand, 10 hectares across the road with sand, gravel and iron and a 13 hectare parcel with gravel called Notton, which is used for their second wine. The vineyard is planted to a vine density that ranges from 6,666 vines per hectare on the plateau and up to 8,000 vines per hectare for the vines located behind chateau, in their sandier soils. The higher levels of vine density are always found in the newer plantings. The terroir of Brane Cantenac consists of deep gravel, sand and clay soil. Experiments in the vineyards are currently looking at becoming more organic in their vineyard management. Today, more than 25% of Brane Cantenac is farmed using organic farming techniques. It is expected that over time, the amount of hectares farmed with organic methods will be increased. Brane Cantenac has gone through 2 relatively recent modernization’s in 1999, when they added began adding the first of their smaller vats to allow for parcel by parcel vinification and then again in 2015 when they completed a much more complete renovation of their cellars and vat rooms. While Brane Cantenac is a traditional producer, they are no stranger to technology as they were one of the first estates to embrace optical grape sorting machines. In very wet vintages, they can also use reverse osmosis. To produce the wine of Chateau Brane Cantenac, the wine is vinified in a combination of temperature controlled, traditional, 22 oak vats, 18 concrete tanks and 20 stainless steel vats that vary in size from 40 hectoliters all the way up to 200 hectoliters, which allows for parcel by parcel vinification. 40% of the fermentation takes place in the oak vats. The oldest vines are vinified in vats that are selected to allow for separate parcel by parcel vinification. The younger vines are vinified more often together in the same vats. However, the Carmenere is entirely micro-vinified, meaning that those grapes were completely vinified in barrel, using micro-vinification techniques. This can also happen because the amount of grapes produced is so small. Some vats can be co-inoculated, meaning they go through alcoholic fermentation and malolactic fermentation simultaneously. At Chateau Brane Cantenac, malolactic fermentation takes place in a combination of French oak tanks and barrels. The wine of Brane Cantenac is aged in an average of 60% new, French oak barrels for 18 months before bottling. The initial 2 months of aging is done with the wine on its lees, which adds more depth to the wine. There second wine is Le Baron de Brane. Le Baron de Brane is not new. In fact, previously, the second wine went under the name of Chateau Notton, which took its name from one of the main parcels where the grapes were planted. During the late 1950’s and into the 1960’s, having a second wine was important as the estate declassified 3 vintages, due to extremely poor, weather conditions in 1956, 1960 and 1963. Production of Chateau Brane Cantenac is about 11,000 cases per year. — 7 years ago
Light on the nose, but a full character of a cabernet. Buttery and smooth.
Sour+sweet notes and a nice, strong finish with tannins. A good blend, not much specific flavor profiles.
Paired with roasted salmon, wild rice, and sauteéd greens.
Paired with a cheesesteak.
Paired with cassoulet
Very drinkable. Aerated somewhat upon dispensing. — 5 years ago
Fine boned, dusty tannins mingle with sweet black cherry fruit, herbs, spices and barrel. There’s a drying edge on the finish to ring back all that leathery and mature fruit. Quite elegant — 5 years ago
The 2017 Pavie-Macquin was impressive from barrel and now in bottle, it continues to show potential. The bouquet is very pure with small dark cherries, cassis, violet and peony aromas. The new oak is nicely integrated. The palate is medium-bodied with supple tannins that belie the backbone of this Saint-Émilion. There is a citric element that suffuses the intense black fruit laced with graphite and tar, the limestone soils offering freshness on the finish. Excellent. (Neal Martin, Vinous, February 2020)
— 5 years ago
The nose is beautiful. Ruby; plum, black cherries, creamy black raspberries, dark spice, dark expresso roast, dark, rich soils, dry & fresh tobacco, leather, amazing, slightly candied, fresh, bright florals of; red, blue and purple.
The body is full and shows the beauty of the vintage, silky & velvety. Ruby; cherries, plum, black cherries, creamy black raspberries & strawberries, dark spice, dark expresso roast, dark, rich soils, dry stones, dry & fresh tobacco, leather, amazing, slightly candied, fresh, bright florals of; red, blue and purple. The acidity is round and gorgeous. The lush, ruby, ripe, well balanced finish persists a long while with heated spices on the long set. Another wine that will increase by 2-3 points with proper cellaring, 10-25 years.
Photos of; Chateau Palmer, their barrel room, a photo of their vineyard soil structure-if you didn’t know where all that earthiness comes from, a picture is worth a thousand words and their tasting room. — 6 years ago
Notes of plum and cherry. Very soft, oak barrel aged nicely. Great smooth wine. — 6 years ago
Very nice wine. Mountain fruit. Poured with medium density to the glass. Nose was actually a classic Oakville nose of dense black fruit and youthful oak. Smoky. Entry is medium bodied, black cherry tart that gets a little deeper and darker with good acidity to the back. Youthful tannin here with a hint of pepper, not overdone. IMO still needs a few more years to integrate a little more but still a really nice wine. — 7 years ago
Great torre in the making. Sweet black and red cherry, strawberry and dusty like tannins. Nice structure. This beauty has 10-15 years ahead of it even with some air and food it already works great — 7 years ago
Superb €38 now £65 personal fav from St Em in top year 👍 w/ fab QPR & a soft spot for me as I had this same vintage from the barrel 😍 93 going 95-96
🍇 71% Merlot & 29% Cab F
🍷Opaque ruby w/ purple hue
👃 Chocolate coated black cherry, berry & plum through smokey oak, liquorice & wet crushed mineral rock w/ violets
👄 Med+ creamy silky mocha dark berry plum bang w/ liquorice & minerals
🎯 Long mocha berry plum slight dry mineral linger purple teether — 8 years ago
3000th post. 🎉 On the nose; sweet, lush; black cassis, liqueur notes, sweet tarry notes, rich, lush; blackberries, dark cherries, black plum, plum, caramel, mocha, caramel, baking spices, warm, moist, rich, dark soils and fresh dark florals. The body is M and the tannins are round and soft. She is a beauty. Ripe, rich; blackberries, black plum, plum, dark cherries, black raspberries & poached strawberries. liqueur notes, sweet tarry notes, dark chocolate, mocha, caramel, baking spices, menthol, warm, moist dark earth, soft leather, dry rock powder, sweet black tea, fresh violets, dark, red florals, perfect round acidity and a rich, round, elegant fruit driven finish that last and lasts. Photos of; Clos E'Lgise and estate vines, signage, Helen Garcin-Leveque and her husband Patrice Leveque and their barrel cellar. Producer history and notes...Clos L’Eglise is one of the older chateaux in Pomerol dating back to the 18th century. The same time the farmhouse that is still in use was constructed. At the time, Chateau Clos L’Eglise was a larger estate. It once had been apart of the Gombaude Guillot. Eventually the estate was split in half. On one side of the street, you had Chateau Clos l’Eglise; which was owned by the Rouchut family. Across the street sat Chateau Clos l’Eglise-Clinet, which was owned by the Mauleon family. After awhile, Clos l’Eglise Clinet eventually changed its name to Chateau l’Eglise Clinet which also simultaneously gave birth to what we know today as Clos L’Eglise. While the wines are now produced by Helene Garcin that was not always the case with Clos L’Eglise. At one point, the estate produced wines under a leasing arrangement held by the Rouchut family. The modern era of Clos L’Eglise began in 1975, when the property facilities were all redesigned and modernized by the Moreau family. The Moreau’s also owned Chateau Plince. The old, non temperature controlled wood tanks were replaced by stainless steel. The vineyards were also expanded. Instead of buying more vines, the owners simply planted land that was being used as a pasture. Imagine now, Pomerol land being used to feed cattle. In the past, the property was planted with a much larger percentage of Cabernet Sauvignon, near 20%. All the Cabernet Sauvignon vines were eventually ripped out and replaced by Merlot. The next step of it's evolution took place in 1997 when the Right Bank estate was sold to Sylvaine Garcin Cathiard by the Moreau family. If the Cathiard name sounds family, she is the sister of Daniel Cathiard, the owner of Chateau Smith Haut Lafitte. The sale set a new benchmark price for Pomerol when it sold for 12 million Euros! Today that price would be laughable! Prior to 2000, that was considered a huge price for Pomerol. Further investment was needed to replace the aging concrete vats and again modernize the facilities. In fact, the first vintage of Clos L’Eglise made by Helene Garcin was produced at Haut Bergey in Pessac Leognan. Helene Garcin also manages two estates in St. Emilion, Chateau Barde Haut, Chateau Poesia (Mendoza, Argentina) and Branon, which is situated in Pessac Leognan. Helene Garcin was put in charge of the property. She hired Michel Rolland as a consultant and a complete renovation of the facilities took place. Michel Rolland was eventually replaced by Alain Raynaud. Starting with the 2015 vintage, Thomas Duclos recently replaced Alain as the consultant. Their property is nearly 6 hectares. L’Eglise soils are rich clay, gravel and iron. It's located on a sloping hill near Chateau Clinet, Chateau L’Eglise Clinet and Chateau Trotanoy. Clos L’Eglise is planted to 80% Merlot and 20% Cabernet Franc. On average, the vines are 35 years of age. There is one old parcel of Cabernet Franc that was planted in the 1940’s. Vinification of Clos L’Eglise takes place in 55 hectoliter, insulated, stainless steel tanks. The new steel tanks replaced the oak vats in 2012. Malolactic fermentation takes place in barrel. Clos L’Eglise is aged in 100% new French oak for between 16 and 18 months. The property also has a second wine, Esprit de L’Eglise. On average, about 1,200 cases of Clos L’Eglise are produced every year. — 8 years ago
Delectable Wine

Follow to learn about our favorite wines & people.
The 2018 Pichon-Lalande was given an hour’s decant and then observed over the next 24 hours. It has clearly retained the showstopping nose that I encountered from barrel, those same “gentle waves" of black cherries and blueberry, incense and violets lending it a Margaux-like allure. The palate is vibrant and full of tension from the start, the acidity slicing through the layers of quite plush black fruit, judiciously laced with tobacco and mint. There is a beguiling sense of harmony conveyed by this Pichon-Lalande and although there is clearly plenty of structure, the tannins are so pixelated and pliant that it might well be broachable in 4–5 years’ time. Personally, however, I would prefer to cellar it for 8–10 years (by which time I hope that the new Cure album is finally released). However long you decide to keep it tucked away, this is a quite brilliant Pauillac. (Neal Martin, Vinous. March 2021)
— 4 years ago